RE: Best formule for one-layer bichromate.

From: Loris Medici ^lt;loris_medici@mynet.com>
Date: 08/11/05-07:30:29 AM Z
Message-id: <00a901c59e78$d7cd5770$f402500a@altinyildiz.boyner>

See articles in Post Factory Photography. I'm sure Judy will chime in stating the issue #'s (which I don't remember right now).

It's best that you do some tests and determine the right amnt. of dichromate and exposure. BTW, the most opaque white paints are gouache I think. Try to use gouache paints.

Regards,
Loris.

-----Original Message-----
From: Pawel Gega [mailto:kermit-q@o2.pl]
Sent: 11 Ağustos 2005 Perşembe 16:21
To: alt-photo-process-l@sask.usask.ca
Subject: Re: Best formule for one-layer bichromate.

good idea , and what about the gum and bichromate proportions? Are there any prints in the internet ? Do you know some links? I would be very happy if could see bichromates with black papers...

Dnia czwartek, 11 sierpnia 2005 13:27, Loris Medici napisał:
> Obviously in that case, the negative should be a positive actually...
>
> -----Original Message-----
> From: Loris Medici [mailto:loris_medici@mynet.com]
> Sent: 11 Ağustos 2005 Perşembe 14:23
> To: 'alt-photo-process-l@sask.usask.ca'
> Subject: RE: Best formule for one-layer bichromate.
>
>
> I would start with white opaque pigment (titanium oxide, not zinc
> based
> whites) and black paper...
>
> Regards,
> Loris.
Received on Thu Aug 11 07:27:23 2005

This archive was generated by hypermail 2.1.8 : 09/01/05-09:17:19 AM Z CST