Re: Best formule for one-layer bichromate.

From: Dirk DE LA MARCHE ^lt;dirk.de_la_marche@alcatel.be>
Date: 08/11/05-07:42:37 AM Z
Message-id: <42FB55CD.3070605@alcatel.be>

Hi,

Sorry to chime in like this but are these Post Factory Photography
articles (or the issues themselves for that matter) available in PDF or
paperware?

Kind regards,
Dirk De la Marche

Loris Medici wrote:

> See articles in Post Factory Photography. I'm sure Judy will chime in stating the issue #'s (which I don't remember right now).
>
> It's best that you do some tests and determine the right amnt. of dichromate and exposure. BTW, the most opaque white paints are gouache I think. Try to use gouache paints.
>
> Regards,
> Loris.
>
> -----Original Message-----
> From: Pawel Gega [mailto:kermit-q@o2.pl]
> Sent: 11 Ağustos 2005 Perşembe 16:21
> To: alt-photo-process-l@sask.usask.ca
> Subject: Re: Best formule for one-layer bichromate.
>
>
> good idea , and what about the gum and bichromate proportions? Are there any prints in the internet ? Do you know some links? I would be very happy if could see bichromates with black papers...
>
>
> Dnia czwartek, 11 sierpnia 2005 13:27, Loris Medici napisał:
>
>>Obviously in that case, the negative should be a positive actually...
>>
>>-----Original Message-----
>>From: Loris Medici [mailto:loris_medici@mynet.com]
>>Sent: 11 Ağustos 2005 Perşembe 14:23
>>To: 'alt-photo-process-l@sask.usask.ca'
>>Subject: RE: Best formule for one-layer bichromate.
>>
>>
>>I would start with white opaque pigment (titanium oxide, not zinc
>>based
>>whites) and black paper...
>>
>>Regards,
>>Loris.
>
>
>
Received on Thu Aug 11 07:42:48 2005

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