John,
I guess this is a little off-topic, but I know Janet Brooke who is a
member of ELP and a screen printer who often works from photographs.
Screenprinting was I think the first and most radically alternative
photographic printing process I got involved with (and Terry King learnt
on the same course as I did.)
Quite a few of Janet's pictures I can pull out an photograph from my
files of the same scene. She also went to the same school as my wife,
but I don't think that is anything more than coincidence.
Regards
Peter Marshall
petermarshall@cix.co.uk +44 (0)1784 456474
31 Budebury Rd, STAINES, Middx, TW18 2AZ, UK
_________________________________________________________________
My London Diary http://mylondondiary.co.uk/
London's Industrial Heritage: http://petermarshallphotos.co.uk/
The Buildings of London etc: http://londonphotographs.co.uk/
and elsewhere......
John Grocott wrote:
> Sorry Peter and Folks, In the following I should have said, ''Current discussions are taking place, '' instead of, '' WE are currently negotiating...........''
>
> Old habits die hard. Carry on, chaps.
> John G.
> ..................................
>
> Peter, have you come accross the East London Printmakers group? Google will give web sites etc., We are currently negotiating to become involved in the promotion and development of this modern group by introducing processes like Oil Printing and Oil Transfer, Gum printing and Direct Carbon. I am sure you already know that Photo Oil Transfer Printing using traditional etching presses was also discovered by Robert Demachy and several others towards the later part of his rise to fame around the turn of the century. These were, and still are, very interesting times for art and image making. ''
>
>
Received on Sat Apr 15 20:11:51 2006
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