RE: oil prints

I know near to nothing about oil / bromoil (well I may be exaggerating a
little bit here) but, what if you use a plain 20% sodium thiosulfate fix
+ a short 2% sodium sulfite bath as two separate steps? I'd try that.
 
Regards,
Loris.
 
-----Original Message-----
From: Witho Worms [mailto:info@witho.nl]
Sent: 24 Mayıs 2006 Çarşamba 14:36
To: alt-photo-process-l@usask.ca
Subject: RE: oil prints

John,

3% by immersion.

I just tried the same negative with the same exposure time for a carbon
print. The catron was very overexposed. So for the brom 240 this must
have been enough.

Cheers,

It is already time for tea.

Witho

  _____

Van: John Grocott [mailto:john.grocott403@ntlworld.com]
Verzonden: woensdag 24 mei 2006 13:22
Aan: alt-photo-process-l@usask.ca
Onderwerp: Re: oil prints

Hi Witho, What is the % strength of your sensitizer and how is it
applied to the fixed out Bergger 240? Brushing or by immersion?
Exposure times might have something to do with the question, too.

         Woof, woof. Have a good day. John.

----- Original Message -----

From: Witho Worms <mailto:info@witho.nl>

To: alt-photo-process-l@usask.ca

Sent: Wednesday, May 24, 2006 10:53 AM

Subject: RE: oil prints

Hello John,

I wanted to try it as both a final support for carbon prints and as a
support for oil prints. Besides it is a very beautifull, thin paper with
a matte surface. It shopuld work because it is an unhardened paper. So
maybe my fixer formulary is not right. Well, it was meant to
uncomplicated my workflow but until now it does not.

Barking at the dog helps to.

Regards,

Witho

  _____
Received on 05/24/06-05:51:57 AM Z