For what it is worth, I used to use paper
negatives with Tetenal Spectra Jet Duoprint 130 gm for a long time.I oiled the
paper with what is called liquid paraffin here in the U.K. This is the
same oil used in the traditional photo-etching process and is a mineral oil
compound. i stopped using it when OHP type films became available at a
reasonable cost here, because there was a tendency for the
negative to dry out when used with a multi coat process like Temperprint.
Hellena
----- Original Message -----
Sent: Saturday, October 14, 2006 6:45
PM
Subject: Re: what paper negatives ?
Sorry , here is the correct link : www.luminous-lint.com
/color>There
is a lot of 'alt' : the (brom)oil exhibition is the second one in the list,
after 'Stereo Daguerreotypes'. To jump to my samples directly:
http://www.luminous-lint.com/_switchbox.php?action=ACT_SING_PH&p1=Henk__Thijs&p2=ABCDEFGHIJKLN
On
13 okt 2006, at 20:56, Venkatram Iyer wrote:
Don and Henk, I could not access your respective
sites. However, <www.thijs-foto.com> is accessible. Details of
the paper you used would be helpful.
The paper for the
oilprints is Fabriano no 5 , the 350 grs one; the paper for the negative
: Simili Japon 130 grs , for the formats up to 30x 50 cm on my Epson 1290
with (Ebony) black only printing. Larger oilprints : negatives printed on
the 'poster-printer-on-the-corner' , the 50x75 cm about 9 Euro (~10 USDolllar)
; they told me it is Fuji-color-paper. No 'logo' printed on the backside like
Kodak or Agfa paper, that is the reason why. No waxing possible,
print-times about 5 times compared to transparent negs. No curves, just by
experience
:-) Cheers, Henk
------------------------------------ www.thijs-foto.com/bigger>/fontfamily> /bigger>/fontfamily>------------------------------------
|