RE: possible answer to archivalness comparison between carbon gum andpt/pd
Judy, I don't know who you consider *real* artists. Lots of folks parading around these days calling themselves by that name. We have even seen *real* art, as it was, made by monkeys throwing paint from buckets on canvas. However,the real artists from the past did indeed obsess a lot about the permanence of their materials, especially painters and their pigments. The fact that many contemporary artists do not so obsess does not decide the issue for me. I consider it best practice to work toward maximum image permanence with any given process. Why would one do otherwise? Sandy At 11:25 PM -0500 2/29/08, Judy Seigel wrote: Bob wrote:However, I might mention than when I visited the Societe de Francais Photographie in Paris I was allowed,as a member, to view some prints in their collection. There I saw some gum prints in color by Demachy that were to die for, that showed no evidence of fading.Which could also have been because the Demachy's were stored in the society archive under ideal (or perfect !) conditions.
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