[alt-photo] Re: gum contrast...
Paul Viapiano
viapiano at pacbell.net
Tue May 18 04:42:10 GMT 2010
Katherine and Loris...
Please don't go through any big deal about this. I'm coming to terms and
re-examining the basic tenets here, and basically thinking out loud about
all this in theory. Of course, in gum, practice is another thing.
But all in all, just batting a few ideas around in my head. I apologize to
all about my constant stream here...someday I'll learn to just sit back and
enjoy this ;-)
Paul
----- Original Message -----
From: "Katharine Thayer" <kthayer at pacifier.com>
To: "The alternative photographic processes mailing list"
<alt-photo-process-list at lists.altphotolist.org>
Sent: Monday, May 17, 2010 9:21 PM
Subject: [alt-photo] Re: gum contrast...
> Paul, I am literally too tired to think tonight, but I have this vague
> idea that there was a discussion about this on the list a year or two
> ago, and that I may even have done some testing. I did a quick search at
> the archives but didn't come up with what I was looking for. It seems
> like it wasn't exactly this question but was masquerading as this
> question, or something like that, but I don't remember the discussion
> exactly. I'll look again in the morning.
> kt
>
>
> On May 17, 2010, at 4:00 PM, Paul Viapiano wrote:
>
>> Hi all,
>>
>> Thanks for the comments on my last question. Sodium bisulfite helped
>> restore brighter colors but yes, not overexposing in the first place is
>> good advice.
>>
>> Riddle me this, sil vous plait: Knowing that decresing dichromate
>> increases contrast, what would be the difference between a mixture of
>> 2:1 gum/dichromate and a mixture of 1:1 where the dichromate is 1/2
>> strength, both at the same exposure time?
>>
>> Katherine mentions in her website that halving dichromate reduces speed
>> by approx one stop. If you halved the dichromate, and increased the
>> exposure by two, would you effectively get the same print as a 1:1? I'm
>> trying to see relationships in theory here...
>>
>> Thanks in advance...Paul
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