[alt-photo] Re: Is this mailing list still active?
Keith Gerling
keith.gerling at gmail.com
Fri Mar 25 14:50:37 GMT 2011
Hi Kurt and welcome.
As a longtime gumprinter, I have used only computer generated negatives for
the last 5 years, and before that, conventionally enlarged lith negatives.
I've only made one gum from an in-camera negative. I read your initial post
her with interest, because I have been toying with the notion of doing the
same thing: making three exposures with a large format pinhole and
"combining" them in gum. So I hope you will follow up and share your
results with us.
I am curious about why you include the gesso. I've never used Berger paper
for gum, so I have no perspective here, but it seems that would serve to
introduce inconsistencies. My experience with gesso is that it always seems
to reduce the scale, and with gum, that is certainly NOT something one
usually looks for.
Good luck
Keith
On Fri, Mar 25, 2011 at 1:13 AM, Richard Knoppow <dickburk at ix.netcom.com>wrote:
>
> ----- Original Message ----- From: "Don Bryant" <donsbryant at gmail.com>
> To: "'The alternative photographic processes mailing list'" <
> alt-photo-process-list at lists.altphotolist.org>
> Sent: Thursday, March 24, 2011 6:49 PM
> Subject: [alt-photo] Re: Is this mailing list still active?
>
>
>
> >
>> Hello, my name is Kurt Nagy
>>
>> This post is just an introduction and to see if there are still people out
>> there.
>>
>>>
>>>
>> Greetings Kurt and Welcome to the "List"!
>>
>> The List has been Listless for quite a while now with a few bursts of
>> posting now and then. Many of the List gum printers lurk in the shadows
>> and
>> don't post frequently. Perhaps your questions and comments about gum
>> printing will invigorate discussions about gum printing.
>>
>> First, if possible try not printing with dense negatives. Long exposure
>> times can cause problems with gum. I assume you are experiencing anemic
>> looking prints. Using a saturated solution of potassium bichromate will
>> work
>> fine though ammonium bichromate is more light sensitive.
>>
>> Tri-color gum with film separations eh? Your are an ambitious man! Of
>> course
>> you will need to use a panchromatic film. Steve Anchell the former editor
>> of
>> Photovision magazine, wrote an article published sometime in the mid 80s
>> or
>> 90s describing his method of printing tri-color gum using TMAX 100 film.
>> Perhaps one of our list members can tell what the publication date was and
>> what magazine the article was printed in.
>>
>> Good luck,
>>
>> Don Bryant
>>
>
> I think all lists go through sporadic periods where there is just not
> much traffic. Then someone posts something that wakes everyone up and there
> is heavy traffic for a while. I think we just had a bit of a quiet spell.
> Unlike the lists I belong to that are based on conventional or "wet"
> photography this one has not diminished with the increase in digital
> photography. I think that is because they are compatible in many ways.
> Digital technology is used by many printers to prepare negatives for
> printing and other purposes. Also, I think many of the participants here are
> practicing artists who are most interested in methods of accomplishing some
> desired end rather than the technology for its own sake, although one can
> not ignore that by any means.
>
> --
> Richard Knoppow
> Los Angeles, CA, USA
> dickburk at ix.netcom.com
>
>
>
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