I recently viewed all the Platinum prints in the collection (of which there
are regretably few) which was a very educational experience. I must say
that I was the most impressed with the 24x24 Irving Penn pt which was,
IMHO, a poor photo. After hearing so much about the 'master' pt printer, I
was dissapointed. Mostly I guess I am reacting aginst the poor sense of
detail resulting mostly from the overly large copy negative. But
nevertheless, I'd hardly consider the print a benchmark for alternitve
photographers.
On the other hand, the one F. Evans print in the collection , "The Strength
of the Normans" was technically wonderful, as I expected from the pt
master. Though the image subject itself isn't my favorate, I still spent
by far the most time that day looking at the print through a loupe. The
print was much flatter than my prints, biasing towards the high-key. . .but
probably the most interesting aspect of the photograph was the modern
heater set in a distant corner which only really became visible under
magnification. considering Evans hatred of modern ammenaties in his
photos, it was very interesting to be able to really look at the details of
the print and see the otherwise hidden aspects of his work.
These prints notwithstanding, the most impressive work I saw was Strand's
Photogravure portfolio of Mexico. These works were head and shoulders
above anything else I saw that day, even Steglitz photogravures. the debth
of the ink in the shadows as well as the delicate ivory highlights were a
joy.
I also got to see, for the first time, 6 original "camera works". Being
able to thumb through such an important piece of photographic history is a
real privilage.
If you ever plan on visiting Portland, call a few weeks ahead of time to
schedule a viewing. Unfortunately, the Gilkey Center is still in the
process of computerizing their collection, so presently it will be
difficult to know what's available to see--and you need to give them a list
well before your visit so they can pull your prints. But if you can work
it out with them somehow, it could be a great way to see some truly
wonderful prints in the best possible way: in your hands, in your time.
Kevin.