From: Rod Fleming (rodfleming@sol.co.uk)
Date: 05/12/00-01:05:32 PM Z
Hi
You're right, the effect is most powerful with the prints not under glass,
but even under glass you will still see the expanded range of tones. I don't
think ferrotyping or glazing suits every picture, but the particular series
of photographs which I was looking at when I wrote were very high in scene
contrast, and you just can't beat a high gloss for that. Yummy. The work I
do now is totally different and I don't glaze the prints, though I still
have a glazer/dryer.
I must admit though I'm tempted to try some more work in that style, having
looked at those pictures.........
It depends what you mean by alt-prints; this is for glossy bromide fibre
paper, and maybe that's not really "alt". But I think that ferrotyping has
become sufficiently out of fashion to make the grade as an "alt-process".
Rod
----- Original Message -----
From: "Judy Seigel" <jseigel@panix.com>
To: <alt-photo-process-l@skyway.usask.ca>
Sent: Friday, May 12, 2000 07:16
Subject: Re: Ferrotyping Alt. Prints.
>I gather that
> the purpose of ferrotyping was for appearance of the print *in hand*
> and/or for repro. But what about alt prints that will be framed under
> glass for exhibition or display? Will that extra punch (not very great
> according to my own admittedly imperfect trials of the added gelatin coat)
> still be evident under glass? Glass adds as it were a "varnish" of its
> own, and the boost from ferrotyping may not remain evident... Or maybe it
> does???
>
> Judy
>
>
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