From: paul barbera (barbera@ozemail.com.au)
Date: 05/26/01-02:40:09 AM Z
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paul barbera photography
490 swan st richmond 3121 melbourne australia
australian studio :
+61 03 9427 9898
australian cel
: +61 412 44 11 70
sydney agent Mari Vendrame : +61 02 9360 0911
singapore agent Stone camera : +65 222 0015
singapore cel : +65
98 530 144
http://www.ozemail.com.au/~barbera
http://www.aaaphotos.com (stock library)
> From: Craig Koshyk <chiendog@pangea.ca>
> Reply-To: alt-photo-process-l@sask.usask.ca
> Date: Fri, 25 May 2001 21:19:15 -0700
> To: alt-photo-process-l@sask.usask.ca
> Subject: Re: Color Negative Film question
>
> Obviously, I was not suggesting that Craig use some Walmart special!
>
>
> Well since I sorta started this thread I will see if I can finish up by
> saying that there have been some very good arguments presented here for and
> against digital capture for the book project I am working on.
>
> As with all things of this nature the utlimate decision I make must be based
> on a number of considerations. Resolution, durability, battery life, etc.
> etc. are all factors. Price is also a biggy. Ultimately though I will
> probably decided to stick with the system I have become very familiar and
> comfortable with over the last decade or so. Ten years from now I will
> probably be pretty comfortable with digital capture and will have figured
> out many of the nuances of the whole digital imaging chain. For now however,
> leaping headlong into a huge project such as this (I am writing the book as
> well) while at the same time trying to learn a whole new instrument doesn't
> seem like a great idea.
>
> Thanks for all the great advice...
>
>
> and oh ya, buy my book!
>
> CK
>
>
>
This archive was generated by hypermail 2b30 : 07/12/01-11:29:40 AM Z CST