From: Mark Kronquist (mak@teleport.com)
Date: 03/13/02-03:45:03 PM Z
Professional color separators used to have huge rooms full of them bet they
never use them now and would let them go for a song...
> From: Tom Ferguson <tomf2468@pipeline.com>
> Reply-To: alt-photo-process-l@sask.usask.ca
> Date: Wed, 13 Mar 2002 15:03:09 -0800
> To: alt-photo-process-l@sask.usask.ca
> Subject: Re: vacuum easles
>
> Thanks Gregory, I also received similar advice from a local friend. I hadn't
> thought about noise. I will, it is simple enough to do with my
> studio/darkroom setup :-) Any thought on the actual building of the press?
> --
> Tom Ferguson
> http://www.ferguson-photo-design.com
>
>> From: "Gregory W. Blank" <gblank@bellatlantic.net>
>> Reply-To: alt-photo-process-l@sask.usask.ca
>> Date: Wed, 13 Mar 2002 16:19:26 -0500
>> To: alt-photo-process-l@sask.usask.ca
>> Subject: Re: vacuum easles
>>
>> on 3/13/02 3:58 PM, Tom Ferguson at tomf2468@pipeline.com wrote:
>>
>>> Any wise words of wisdom or web site references on building a vacuum easel
>>> big enough to take full sheets of watercolor paper (22x30 inch or
>>> 560x760mm)? I'm picturing this made with a "Home Depot" type wet/dry vacuum.
>> Words of wisdom,....with vacuum that big...best to put it in another room or
>> outside to use and run the hose inside. Micheal A Smith does this and has an
>> on/off switch inside the darkroom.
>>
>> I have a book titled Dye Transfer Made easy which has instructions on
>> building a Vacuum easel. What I want is one with optical plate glass and a
>> frame to hold it.
>>
>> The ISBN # on the book is 0-8174-3798-3
>>
>
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