From: Gregory W. Blank (gblank@bellatlantic.net)
Date: 03/13/02-09:48:57 PM Z
on 3/13/02 4:45 PM, Mark Kronquist at mak@teleport.com wrote:
> Professional color separators used to have huge rooms full of them bet they
> never use them now and would let them go for a song...
>
>> From: Tom Ferguson <tomf2468@pipeline.com>
>> Reply-To: alt-photo-process-l@sask.usask.ca
>> Date: Wed, 13 Mar 2002 15:03:09 -0800
>> To: alt-photo-process-l@sask.usask.ca
>> Subject: Re: vacuum easles
>>
>> Thanks Gregory, I also received similar advice from a local friend. I hadn't
>> thought about noise. I will, it is simple enough to do with my
>> studio/darkroom setup :-) Any thought on the actual building of the press?
>> --
>> Tom Ferguson
>> http://www.ferguson-photo-design.com
>>
>>> From: "Gregory W. Blank" <gblank@bellatlantic.net>
>>> Reply-To: alt-photo-process-l@sask.usask.ca
>>> Date: Wed, 13 Mar 2002 16:19:26 -0500
>>> To: alt-photo-process-l@sask.usask.ca
>>> Subject: Re: vacuum easles
>>>
>>> on 3/13/02 3:58 PM, Tom Ferguson at tomf2468@pipeline.com wrote:
>>>
>>>> Any wise words of wisdom or web site references on building a vacuum easel
>>>> big enough to take full sheets of watercolor paper (22x30 inch or
>>>> 560x760mm)? I'm picturing this made with a "Home Depot" type wet/dry
>>>> vacuum.
>>> Words of wisdom,....with vacuum that big...best to put it in another room or
>>> outside to use and run the hose inside. Micheal A Smith does this and has an
>>> on/off switch inside the darkroom.
>>>
>>> I have a book titled Dye Transfer Made easy which has instructions on
>>> building a Vacuum easel. What I want is one with optical plate glass and a
>>> frame to hold it.
>>>
>>> The ISBN # on the book is 0-8174-3798-3
>>>
>>
>
Any suggestions Mark as to who?
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