Re: tempera printing peter fredrick

Hi,

I'd like to get a copy too.

Thanks

Joao
----- Original Message -----
From: "John Roseborough" <jroseborough@dslextreme.com>
To: <alt-photo-process-l@sask.usask.ca>
Sent: Thursday, December 16, 2004 2:35 PM
Subject: Re: tempera printing peter fredrick

>I would very much appreciate a copy of your article also.
>
> Thanks,
> John Roseborough
> jroseborough@dslextreme.com
>
> ----- Original Message -----
> From: "HNMM CLEARY" <HNMM@hcleary.freeserve.co.uk>
> To: <alt-photo-process-l@sask.usask.ca>
> Sent: Thursday, December 16, 2004 2:20 AM
> Subject: Re: tempera printing peter fredrick
>
>
> Thanks for the request from you and others for a copy of my article. I
> shall
> send a copy to those people on the list who requested one to their
> personal
> e-mail addresses. If I send it to the list, there would be much weeping
> and
> gnashing of teeth and tearing out of hair if that much info went out over
> the list, especially for people like me on simple modems. I am not a
> computer boffin so I shall seek advice on how to send a copy of the same
> file to the different e-mail addresses. I shall bring all messages from
> everybody to Peter tomorrow. Again, be patient. Hellena
> ----- Original Message -----
> From: Tim O'Neill
> To: alt-photo-process-l@sask.usask.ca
> Sent: Wednesday, December 15, 2004 1:24 AM
> Subject: Re: tempera printing peter fredrick
>
>
> Oh thanks H,
>
> I have tried to access the Journal from here before with no success. I
> would love to have an email if you get the time. I hope Peter is doing
> well.
>
> t
> ----- Original Message -----
> From: HNMM CLEARY
> To: alt-photo-process-l@sask.usask.ca
> Sent: Tuesday, December 14, 2004 9:50 AM
> Subject: Re: tempera printing peter fredrick
>
>
> As far as I know , he was still working on his book. I don't know how
> much he had put together until the time of his illness.. I shall print out
> your e-mails and bring them with me on Friday. If it is any help I wrote a
> four page article on the Temperaprint process for the British Journal of
> Photography in the issue dated 19.06.2002. I don't know how you access the
> index from the states but I have a copy that I could e-mail if you are
> interested. The only major change in my working methods has been the
> switch
> from paper negatives made translucent with mineral oil to diginegs which
> are easier to use and make but I must say I miss the smell of oil from the
> negatives. Using oiled negs and an egg tempera process made for an
> interesting olfactory experience. Hellena
> ----- Original Message -----
> From: Tim O'Neill
> To: alt-photo-process-l@sask.usask.ca
> Sent: Monday, December 13, 2004 10:34 PM
> Subject: Re: tempera printing peter fredrick
>
>
> Hellena,
>
> Does Peter have a book for purchase? In the info that is on alt
> photo
> his text suggests a advanced section of his compendium. I have not had
> success tracking that down. Any info on that? Likewise when you see him
> please forward my email. I would be willing to correspond even with snail
> mail should that be the only thing available to him for a bit.
>
> Tim
> ----- Original Message -----
> From: HNMM CLEARY
> To: alt-photo-process-l@sask.usask.ca
> Sent: Monday, December 13, 2004 11:27 AM
> Subject: Re: tempera printing peter fredrick
>
>
> I am not very good technically in my work so when you talk about
> working out curves, I must admit that I am pretty inexperienced in that
> respect. I just go for something visually acceptable as there are so many
> vagaries in the process, it is difficult to be extremely precise.
> Exposure
> times for me very much depend on the uv light source. I use a machine
> developed for making printing circuit board in the electronic industry
> which
> combines vacuum and timer together and is pretty accurate. I also do not
> work any bigger than A3. I have in the past done Temperaprint on polished
> marble and welsh slate. However I only did a single coat because of the
> impossibility of getting correct registration with two coats. I used some
> pretty high density foam from a furniture making place and one of those
> vacuum bags that you use a vacuum cleaner to remove the air and create the
> contact between the printer and the substrata. It worked quite well on the
> marble as an almost photographic surface and differently on the slate
> because of the surface irregularities.
> ----- Original Message -----
> From: Tim O'Neill
> To: alt-photo-process-l@sask.usask.ca
> Sent: Monday, December 13, 2004 4:43 AM
> Subject: Re: tempera printing peter fredrick
>
>
> Hellena,
>
> Good to hear that someone else exists out there that has some
> experience. I am starting form scratch so have not yet gotten a gallery
> quality print. I am still working out curves and exposure times. I am
> extremely interested in chatting with someone who has first hand
> experience
> with the process on ceramic or stone. That is what I am pursuing next as
> soon as I get a touch better results with basic printing. Any tips form
> you
> expereinced will be greatly appreciated
>
> Tim
> ----- Original Message -----
> From: HNMM CLEARY
> To: alt-photo-process-l@sask.usask.ca
> Sent: Sunday, December 12, 2004 12:12 PM
> Subject: Re: tempera printing peter fredrick
>
>
> Yes, we are still out there. There are a few probationers of
> Temperaprint still going. While we are not as good as Peter, we are still
> functioning and making prints. Most of us are in the U.K. but Barbara
> Maloney is an American currently residing in Germany. She has an article
> in
> the November issue of www.alternativephotographycom. All discussion
> welcome
> . I am going to see Peter on Friday and can pass on any questions and
> hopefully he will get access to the web soon. Hellena
> ----- Original Message -----
> From: Tim O'Neill
> To: alt-photo-process-l@sask.usask.ca
> Sent: Sunday, December 12, 2004 1:59 PM
> Subject: Re: tempera printing peter fredrick
>
>
> Kate,
>
> Do you have contact info for Peter? I am curious whether his
> school will carry on once he is on the mend.
> ----- Original Message -----
> From: Kate Mahoney
> To: alt-photo-process-l@sask.usask.ca
> Sent: Wednesday, December 08, 2004 5:07 PM
> Subject: Re: tempera printing
>
>
> Hi Tim, Peter Frederick has been very ill, and is in the
> process of
> recuperating.
>
> I've just started using a modified version of his process
> with some success.
> The advantage is that it's way quicker to produce a print
> than gum - the
> disadvantage is (for me) that it produces a much different
> image quality.
> I'm just getting my head around the differences but I
> certainly find it
> simple and effective after gum, but then again it's
> probably
> because I have
> already done gum!!!
>
> Have a look at the archives - there was some discussion a
> couple of weeks
> ago and there are certainly a few much more knowledgeable
> people on this
> list than me!
>
> Cheers
> Kate
>
> ----- Original Message -----
> From: "Tim O'Neill" <rivervalleyimages@msn.com>
> To: <alt-photo-process-l@sask.usask.ca>
> Sent: Thursday, December 09, 2004 10:55 AM
> Subject: tempera printing
>
>
> > Any one have contact info for Peter Fredrick? Or maybe
> any others out
> there
> > using his process I can compare some tests and notes
> with?
> >
> > Tim O'Neill
> >
> >
> >
>
>
>
Received on Fri Dec 17 04:29:57 2004