RE: Editioning

I think the "unique state" description covers all the vagaries of alt
processing rather well...it implies there may be other prints, but this
one is the only one EXACTLY like this. Gold St Studios (Melbourne) sell
alt work thus labelled. I'm sure they are completely scrupulous in
informing clients of the exact meaning.
Kate

-----Original Message-----
From: Loris Medici [mailto:loris_medici@yahoo.com]
Sent: Wednesday, 7 July 2004 5:49 a.m.
To: alt-photo-process-l@sask.usask.ca
Subject: Re: Editioning

Thanks for the info Gerry. I think that description is a little bir
compulsive / overkill (especially section about the negative)...

Regards,
Loris.

----- Original Message -----
From: "Gerry Giliberti" <GGiliberti@Controlotron.com>
To: <alt-photo-process-l@sask.usask.ca>
Sent: Tuesday, July 06, 2004 4:46 PM
Subject: RE: Editioning

> In B/W and color photography a unique print, as told to me by Janet
Lehr
of
> the Vered Art Gallery in East Hampton, NY, is a print that has no
existing
> negative, is the only surviving print of its kind, it's signed by the
> photographer and should have been printed by the photographer (this
may
not
> always be the case. In terms of colleting I'm sure this relates to
> alternative process prints. (Note: I found this info out when I asked
her
> about a Many Ray print that they had for sale and they labeled it
"Unique.")
>
> -----Original Message-----
> From: Loris Medici [mailto:loris_medici@yahoo.com]
> Sent: Saturday, July 03, 2004 6:09 PM
> To: alt-photo-process-l@sask.usask.ca
> Subject: Re: Editioning
>
>
>
> I follow that custom too. I sell unique prints (BTW, what is the
difference
> between a unique print and a monoprint?), but I warning the purchaser
that
> the prints are unique only for the medium/color + size combination, in
other
> words: I can print the same image in another medium/color and/or size.
I
> don't think it's wrong to call this "unique" as soon as the purchaser
is
> informed correctly. What do you think?
>
> Regards,
> Loris.

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