This might suggest that while her prints didn't have a true white, not all
images require a true white to work. That said, she may have been looking
for a true white. Here is a good reason to out put a step wedge using the
density method, coloration method, or to use traditional film wedge in order
to see how your method is being received by your coated sheet/developer
combination.
You will also be able to see what your addition of contrast agent is doing.
Eric Neilsen Photography
4101 Commerce Street, Suite 9
Dallas, TX 75226
214-827-8301
http://ericneilsenphotography.com
> -----Original Message-----
> From: Loris Medici [mailto:loris_medici@mynet.com]
> Sent: Wednesday, April 13, 2005 12:51 PM
> To: alt-photo-process-l@sask.usask.ca
> Subject: RE: Stain in Pt./Pd. printing, was Re: price of pt/pd printing
>
> Hi Cristina, happy for you. But, doesn't this mean that you don't have
> "true whites" in your image area? (I mean: if you're using colorize
> method for the rest of the negative) I guess it's very slight and
> doesn't bother you.
>
> Regards,
> Loris.
>
> > -----Original Message-----
> > From: Christina Z. Anderson [mailto:zphoto@bellsouth.net]
> > Sent: Wednesday, April 13, 2005 8:40 PM
> > To: alt-photo-process-l@sask.usask.ca
> > Subject: Re: Stain in Pt./Pd. printing, was Re: price of
> > pt/pd printing
> >
> > ...So this morning I did a test: not having
> > ruby lith on
> > hand, I put a black ink border in Photoshop around each neg.
> > In one neg I
> > left part of a color ink only border on one side, with a
> > black border around
> > that. Sure enough, where the black border is, no stain,
> > where the color
> > border is, slight stain, which I guess should now really be
> > called exposure.
> > The black held back all light so no exposure occurred. Clean, white
> > borders.
> > ...
Received on Wed Apr 13 12:17:47 2005
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