Re: PVA vs. PVA

From: Giovanni Di Mase ^lt;gdimase@hotmail.com>
Date: 08/01/05-02:22:38 AM Z
Message-id: <BAY105-DAV8B4C367E05F65EF825D5BBFC30@phx.gbl>

The gloy glue (PVA acetate) technique is written in Spirits of salts book
and in Christopher James book as well and they say no dilution and somewhere
read 5 ml of gloy instead of using grms. which obviously would make
everything more precise.
How do you take 5 ml of a sticky gum?
Giovanni

----- Original Message -----
From: "Judy Seigel" <jseigel@panix.com>
To: <alt-photo-process-l@sask.usask.ca>
Sent: Sunday, July 31, 2005 10:33 PM
Subject: PVA vs. PVA

>
> I've been trying, & failing, to follow the PVA thread(s) because they seem
> to switch between use for sizing paper instead of gelatin and use as
> colloid instead of gum arabic.
>
> When I began testing for gum (more years ago than I have actually been
> alive) it was popular in the (then) new manuals to suggest dilute acrylic
> medium or dilute acrylic gesso (liquitex) as substitute for the gelatin
> size - as being much quicker and easier.
>
> When I tested with a 21-step I found that as size *for gum printing* none
> of them in any dilution worked as well as gelatin for paper size -- for
> continuous tone.
>
> They simply did NOT do smooth highlights AT ALL. The gesso size also
> tended to both flake and turn the color to pastel. (Which figures -- it
> was in a way *mixing* white, which makes a *tint*.) (If memory serves, I
> showed some of those test strips in P-F #1, or maybe it was #2.)
>
> However, stochastic or halftone negatives were a different story... Using
> halftone color separations, I got some fine results with diluted matte
> acrylic (1 to 10) to size the paper... but that was basically because it
> was so much *easier* than gelatin size. Results were no better & maybe
> somewhat less certain than with gelatin.
>
> There are English gum printers who use (or used) Gloy gum (PVA) for gum
> arabic and swear by it (eg Terry King does, or did). I was never able to
> get Gloy to do continuous tone *by still development* but that seems
> to be a variable of personal virtue, humidity, and/or the paper and size
> combo. (A hard, ie, 300 bloom, gelatin size without hardener has very
> different results from the Knox with hardener gelatin size, for example.)
>
> In other words, theorizing is probably futile, if not counterproductive.
> Materials respond so differently in various combinations that generalities
> say nothing -- or only in theory (& we all know that business about the
> bumblebee). Of course it's nice to find a magic ingredient without the
> tedium of actual trials -- but odds are against it.
>
> As for Kevin Sullivan's work with whatever it was as size -- was that for
> gum? IME sizing for gum is a whole other world than sizing for pt/pd, or
> other -- no correlation.
>
> And Henk, tell yr friend that folks use lavender, carbolic acid, glyoxal &
> thymol as well as formaldehyde to preserve gum -- but if you mix it fresh
> & use it in a day or two, no preservative necessary. Also, if you don't
> mind the variables -- some folks (if I recall Demachy (?) among them), may
> prefer acid,that is, "spoiled" gum.
>
> Judy
>
Received on Fri Aug 5 12:02:38 2005

This archive was generated by hypermail 2.1.8 : 09/01/05-09:17:19 AM Z CST