Henk,
I'm not sure we're in disagreement here. I wasn't arguing against paper
negatives, in fact probably 90% of all the gum prints I've made have
been printed from paper negatives of different sorts. I was just
saying that for me, RC paper takes inordinate amounts of time to
expose, because of its plastic backing, and won't take oil very well.
If you're saying that the color paper you're using is the same as RC
paper, and works well for you, and takes oil well for you, then that's
great; opposing observations are the rule of the day for us here,
isn't that so?
John was wondering why anyone would need to oil a paper negative, since
he contact-printed RC paper onto RC paper in 30 seconds. My point was
that for alt processes, RC paper takes a lot longer to contact print,
and that's why we would want to oil paper negatives, although I haven't
found that RC paper oils well. That's all,
Katharine
On Dec 14, 2005, at 3:51 AM, henk thijs wrote:
>
> Op 13 dec 2005 om 23:17 heeft Katharine Thayer het volgende geschreven:
>
>> Hi John,
>> Yes, paper negatives work well with commercial silver paper, but if
>> you tried to print that same RC paper negative onto gum, you'd be
>> exposing all day.
>
> Hi Katherine,
> I am very reluctant to have any doubt about the things you say on this
> list, but in this case I have a different experience.
> I produce digital negatives and let them print in a print shop on
> 'normal' color paper. Especially if I want larger formats -up to 50x75
> cm- it is the way to go for me. My largest Arista lith film is 40x50
> cm.
> I use a selfmade exposure tool with tubes used in the 'tanning
> business', a distance of about 3 to 5 cm.
> Exposure times are about 80 sec. with the lith-neg and 600 sec for the
> 'color paper neg.'; this for gum.
> For oil-printing it is 150 resp. 1200 secs.
> For cyanotype I did not succeed to produce some nice prints.
> See my website for results.
>
> Cheers,
> Henk
>
>>
>
Received on Wed Dec 14 09:57:59 2005
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