Carmen,
You can also try to add citric acid into the coating emulsion. If it works
that way, you will get rid of one extra step: acidifying the paper + waiting
for drying (if you don't acidify paper in batches). For papers that doesn't
work with Cyanotype 2 emulsion I tried this solution (which was provided by
a helpful list-member when I asked for help on Cyanotype 2) and it worked
very well. To make a coating solution, I was adding a drop of 40% citric
acid per 10 drops of Cyanotype 2 emulsion.
Regards,
Loris.
-----Original Message-----
From: Carmen Lizardo [mailto:carmenlizardo@yahoo.com]
Sent: 17 Eylül 2005 Cumartesi 21:32
To: Alt Photo
Subject: What are the advantages of using Cyanotype as the first layer for
tri-color gum prints? Paper Problems...
Dear List:
What are the advantages of using Cyanotype as the first layer for tri-color
gum prints? And, which paper is good to use with the cyano-gum process?
I am asking because I bought many sheets of 300 LB Fabriano Artistic and
Arches Aquarelle paper, and the paper did not work for cyanotype. The
cyonotype emulsion turned blue-green when dried had blue spots and after
exposing, the emulsion would wash off almost completely, leaving a very
faint print with blue spots. Judy suggested trying acidifying the paper. I
did not have any acid except white distilled vinegar, which I used, mixed
1:1 with distilled water, and that seemed to resolve the problem (thanks
Judy!). I did test the paper with a gum print using thalo blue watercolor
and it cleared fine on pre-shrunk, un-sized paper. I am using 300 lb paper
because I am making very large gum prints and the lighter paper was falling
apart when soaked in very hot water. Maybe there is a lighter weight paper
that is cheaper than the 300 lb and will work well for 22x30" gum prints?
Thank you for sharing your expertise.
Carmen
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Received on Sat Sep 17 13:32:59 2005
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