Color neg film: the epitomy

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From: Jack Fulton (jefulton1@home.com)
Date: 05/24/01-07:36:34 AM Z


Right on Dan!
I've been telling my students for a long time that THE film to use is color
neg material.
One can achieve a lovely color print.
Convert the neg to a positive and hold slide shows after a nice dinner.
AND make darned good b/w prints.
In other words, it is the perfect film.
No grain as you color people know the silver is removed 100%

Never thought of using it for your digital work though Dan. Brilliant.

Jack Fulton

>
> Even though my final product is a B/W print, I now shoot only color neg
> film. Since the image is going to be digitized at some point anyway, the
> color tools in Photoshop provide much finer control than that of physical
> filters used over the lens in the field. We can selectively filter
> different areas of the image. If you want an orange filter to darken the
> sky and at the same time a green to open foliage values in the
> foreground, no problem (and with much greater precision than trying to
> overlap two goofy half filters on the camera).
>
> In fact, the polarizer is about the only filter whose effect can't be
> duplicated in the digital lightroom.
>
> Just thought I'd toss this in for those thinking of incorporating digital
> methods in their image-making workflow!
>
> Dan


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