Re: Why multiple exposure (was Re: (Gum) Tonal scale)

From: Kees Brandenburg ^lt;ctb@zeelandnet.nl>
Date: 12/02/05-09:08:13 AM Z
Message-id: <4390635D.10708@zeelandnet.nl>

Hi Loris,

I'm also using Schmincke aquarel for tri- and four color gum. I'm using
Schmincke 351 ruby red for magenta, that's PV19 and a much clearer
magenta than Schmincke 352 Magenta which I found very dull. Schmincke
has also a PY110 yellow ( mixed with PY154), which is a very powerfull
yellow (much resembling DS PY110 which I have here too). It's called
Schmincke 220 Indian Yellow (don't get confused by the orange coloured
tube). I also used Schmincke 484 Phtaloblue but found it less intense
than other brand phtalo blue's. To my surprise it showed a white (!)
precipitate at the bottom of the vessel when premixed with gum and left
standing for some days. Not a good sign. I'll try cerulean blue too.
Your scan looks good.

kees

Loris Medici wrote:

>Sorry, the manufacturer's # is 208, not 216.
>
>-----Original Message-----
>From: Loris Medici [mailto:loris_medici@mynet.com]
>Sent: 02 Aralęk 2005 Cuma 16:32
>To: alt-photo-process-l@sask.usask.ca
>Subject: RE: Why multiple exposure (was Re: (Gum) Tonal scale)
>
>Thanks, a very sound suggestion. ITOH, my other colors are process
>magenta "Schmincke Magenta #352, PV 42 Quinacridone Violet" and process
>yellow "Schmincke Pure Yellow #216, PY 154 Benzimidazolone". So all the
>colors I chose are basic colors in color-theory. Theorically they should
>work well together. We'll see.
>
>
>
Received on Fri Dec 2 09:08:26 2005

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