RE: gas

Chris, As Mark said the Epson Wide Format Group on Yahoo will have something
there. Bottom line, you should let your prints sit or subject them to some
low heat and moving air to remove the excess from the application of the dye
or pigment onto the receiving media. I do the later. Since i am already set
up to heat dry paper, it just seemed to make sense.

Similarly to alt photo prints, ink jet papers need to have special handling
when framing and/or mounting.

Eric Neilsen Photography
4101 Commerce Street, Suite 9
Dallas, TX 75226
214-827-8301
http://ericneilsenphotography.com
> -----Original Message-----
> From: Christina Z. Anderson [mailto:zphoto@montana.net]
> Sent: Saturday, February 04, 2006 12:17 PM
> To: Alt List
> Subject: gas
>
> Do you all have an answer for this question I got today?? Is
> this Epson's
> idea of "printing on glass?"
>
> "As you may recall, I had a show up in Whitefish for about 4
> months.
> Several of the photographs were inkjet from the Epson 2200.
> When I got the
> show back, the darker parts of the inkjet prints had gassed (I
> think that is
> the word) so that there was a very thin white film on the
> inside of the
> glass over the dark parts of the prints.
>
> What do you know about that. Can something be done to prevent
> it.
>
> Mike L"
>
> ps heheheh as Mark would say, a quote I came across today in
> the BJP but
> PLEASE don't discuss, just think about it :):
>
> 1899 BJP: "Brown chromic oxide is first formed which has
> strong tanning
> powers, but on longer exposure this was reduced to green
> chromous oxide
> which has not such a strong tanning action, and if exposure was
> still
> further extended, a neg was obtained instead of a pos" Herr
> Behrens
Received on Sat Feb 4 14:10:19 2006