U of S | Mailing List Archive | alt-photo-process-l | Re: Lightroom

Re: Lightroom



From: Peter Marshall <petermarshall@cix.co.uk>
Subject: Re: Lightroom (was Re: Adobe Photoshop CS3 update)
Date: Tue, 20 Nov 2007 09:28:30 +0000

> Ryuki, I agree entirely.

Hi. My name is Ryuji, not Ryuki.
(Riuyi is acceptable if you are a Spanish speaker.)

> LR 1.3 looks a little better organised in some respects. I
> can only think that the orginal adverse comments must have
> been based on a very early beta version of the software -
> which I didn't use. They are certainly not relevant to the
> current software.

I don't really follow those digital imaging forums or
anything, but I also have the impression that some people who
built negative impression from beta versions don't lose that
opinion unless they use LR routinely.

> As for screens, you are so right that a good one makes all
> the difference. My work has improved significantly since I
> got an Eizo ColorEdge CE210W. Its often hard to find what
> kind of panel type is used, but I'm told S-IPS are the best.

I think high quality CRT's are the best. I used two 21"
Trinitron monitors until a couple of months ago, when I had to
lose one to make space. I posted "for sale" for $50 and got
too many responses, making me think that those CRTs are still
worth cash. So I sold both and bought LCDs. I'm hugely
disappointed with the LCD on ALL laptop computers (including
my MacBook) and inexpensive consumer quality panels, so I had
no option but go for at least PVA. Luckily the first wave of
wide gamut LCD was just in.

I don't really need 2 PVA panels (which costs double) but I
want two monitors, so I bought a cheap TN and a PVA/wide
gamut, both 24" wide format, and I use them side by side on my
desk. Of course, the cheap TN panel ($450) is no good for
image editing, although it is a bit better than the panel used
in MacBook.

I briefly tried to combine one CRT and one LCD. This
combination didn't work AT ALL. Even with a CRT with maxed out
brightness and a LCD mined out, LCD is too bright. The eye
can't adapt to different brightness range and other
differences between them.

What I said above applies to both color and grayscale B&W.

--
Ryuji Suzuki
http://silvergrain.org