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Re: Pt/Pd printing with various lights
Title: Re: Pt/Pd printing with various
lights
Eric,
Answers for the inquiring minds.
Sandy,
The unsaid aspects of your work are what make it undetermined.
How long did it sit and in what state? Dry and sealed? If so dried to
what RH and sealed how? All of this may seem nit picky, but the
factors do give insight to those who know, and may educate those that
don't.
The package with the samples arrived overnight from Dick in a
sealed envelope plastic envelope, within a second sealed envelop. The
actual time in transit was in fact less than 14 hours from the time he
coated the paper. They were opened in my house which is kept with air
conditioning at about 70F and 55-60% humidity. I opened the sample and
kept them in the dark for about an hour to allow all of them to reach
the same humidity, then rapidly exposed them over the next 2
hours.
The type of
glass used can produce differing results for different light sources,
so what type of glass? These all influence the speed on contrast of
platinum / palladium mixtures.
For these tests I used plain plate window glass, 1/16" thick
in a small 5X7 contact printing frame. It is the glass I use for all
of my tests, whatever the process. I am aware that some glass passes
more UV light than others and am actually very interested in carrying
out some tests with these glasses using different processes. In this
case I can state that at the very least the same glass was used for
all of the tests.
Does #7 have
Pot Chlorate added? If so, does it last for a day? Did you
run a comparison with Dick and his SA lights or Nu Arc unit?
with equal parts Pt and Pd I would be quite surprised to find
solarization in the blacks. Why did that happen? I can
expose for very long times before I see a reduction of Dmax with a
50/50 mix.
I think it is incorrect to describe the reduction in density that
I reported as solarization. Solarization as I understand it is a gross
reversal of tones. As I indicated in my first notes the difference
between maximum density, which took place at about step 6 or 7, and
the density at step 1, was on the order of log 0.05 to 0.10. I know
because it was measured with a densitometer but visually you would
been hard pressed to notice the difference. Carl Weese in an earlier
message indicated that this was to be expected in Pt/Pd so there does
not appear to be anything out of the ordinary here.
I don't know about the potassium chlorate but will check with
Dick when he returns from his trip to the northwest. However, I am
inclined to believe that there would be absolutely no point in
comparing my results with Dick and his Nu Arc unit given the
difference in humidity between our parts of the country, which I think
we both agree would invalidate the tests. And to my knowledge he does
not have a bank of SA lights, though I could be wrong on this.
What was
your exposure times in minutes/seconds? If they similar or quite
different that too would be very useful.
10 minute exposure for all of the lights, after warm-up. Since
the first maximum density was at somewhere between step 5 and step 7,
depending on the light, all of the tests were actually overexposed by
between 2-3 stops so that the actual printing speed with the TP 45
step wedge would have been about 2-3 minutes to reach maximum density
at step #1 or #2.
I am not
discounting your findings here Sandy, just asking more questions.
I mean you no flames, or ill will. Inquiring minds want to know
: )
I do not take your questions or comments as flames or even of
criticism. Anytime I provide information of this sort to the list I
expect there will be questions about the procedures. And I especially
expect it when my findings appears to be at odds with the practical
findings of experienced platinum printers such as yourself.
Sandy King
EJ
Neilsen
----- Original Message -----
From: Sandy
King
To: alt-photo-process-l@sask.usask.ca
Sent: Thursday, May 09, 2002 12:50 PM
Subject: Re: Pt/Pd printing with various
lights
Eric,
I am surprised that you find my tests too loose to
"prove anything." If anyone else at anytime has conducted
tighter tests with a several different light sources in platinum,
palladium or with a combination of the two, please tell me where I can
see the results. Typically the information we get about printing with
different light source is purely anecdotal and involves no attempt at
all to provided control parameters. You know how it works. Joe Blow
tells us he changed out his Type A lights for Type B and now is
getting two stops more printing speed and more contrast. But Joe
failed to mention that this was purely subjective evaluation, or that
he was using a new film and/or developer, or that he also changed the
ballast, or that he is now using a new printing frame, or that he
decreased the distance from the frame to the lights, or that the old
and very inefficient air conditioner outside had been replaced with a
more energy efficient unit, or that he really never kept any exposure
information at all, etc.etc.
In any event my tests were done to "find out
something", not to "prove anything." And since I have
clearly outlined the parameters of my testing I don't make any claims
that go beyond the findings.
You have raised two questions about the validity of my
testing. Since I am not an experienced platinum printer I think it
appropriate to discuss each of these questions.
First, you describe the coating as of undetermined in
nature.That is not at all the case. Granted that I did not give the
composition of the coating but I noted that it was Dick Arentz' #7
mixture, the formula of which is given in his book on Platinum and
Palladium Printing. He describes the AB method of platinum and this
particular mixture is described on p. 60 of his book Platinum and
Palladium Printing as a mixture for printing with medium contrast
negatives. Since Arentz is one of the premier Pt/Pd printers in
the world and this book was published by Focal Press I assumed that
this terminology would have meaning for other Pt/Pd printers even
though it does not for me. It is described as a coating of equal parts
of palladium and platinum designed to print a negative with a DR of
1.35-1.40, a mixture that I would think fairly typical of what many
people use in actual practice.
Second, you questioned the reliability of the results
because coating was done outside of my own working environment and the
testing was not done until a day later. I am sure you are right in
that the speed and contrast of a material will change with time
between coating and exposure and with humidity. This was one of my own
concerns when Dick and I initially discussed running the tests Pt/Pd
tests. However, after discussions with Dick he convinced that this
procedure would not interfere with the reliability of the tests when
the objective was to compare printing speed and contrast with
different light sources. The thinking was that although the speed and
contrast of the samples might indeed be different the change would be
uniform.
I don't have any idea what tests with different mixtures
of platinum and palladium might show. I know from my own tests that
the curves for palladium and platinum are of different shape, even at
the same ES, and there may indeed be a difference in printing
speed with light sources of different wavelength depending on what
particular salt or combination of salts was being used. What I
know is that I tested what appears to be a fairly typical Pd/Pt
mixture with very carefully controlled procedures and found that the
BL tubes were one full stop faster than the SAs in this
test.
Sandy
Sandy,
As platinum and palladium have different response curves, you have
been only able to test an undetermined coating with three different
light sources. I would not make any conclusions about all
platinum/palladium coating based on these test. Since platinum
and palladium are both speed sensitive with regard to humidity, they
indeed have been shown to react to differing wave lengths to produce
different yields, I find your test to be too loose to "prove"
anything beyond that all three react to your lights with equal +/-
results.
EJ Neilsen
----- Original Message -----
From: Sandy
King
To: alt-photo-process-l@sask.usask.ca
Sent: Wednesday, May 08, 2002 8:14 PM
Subject: Re: Pt/Pd printing with various lights
Eric,
I agree that if the purpose of my test had been to compare
the absolute speed of different processes it would have been best to
coat, dry, expose and develop all of the samples in my environment.
However, the purpose of these tests was not to determine the
absolute printing speed of the Pt/Pd material vis a vis another
printing process, but its relative speed with different lights.
In that sense I believe that the results of the test are very
reliable. I made three different test prints with each light and
results were almost identical for all three tests made with a specific
light. If any one test had been off with respect to the other two it
would be reasonable to suspect a difference in speed or contrast in
the samples and that would of course have invalidated the test
results. Since this was not the case, however, I am reasonably
certain that these results are valid.
Sandy
Sandy,
I would think that a better test would be to coat them yourself.
Speed changes in paper and contrast may change to much sitting for a
day or more.
----- Original Message -----
From: Sandy
King
To: alt-photo-process-l@sask.usask.ca
Sent: Sunday, May 05, 2002 6:53 PM
Subject: Pt/Pd printing with various lights
A few weeks ago I posted some
preliminary observations on the use of different UV sources with
Pt/Pd. As you may recall I exposed a Stouffer TP 45 step wedge
to paper coated with Dick Arentz' Pt/Pd Mixture #7, using the
following light sources: 1) 20 watt Phillips BL, 2) 20 watt GE BLB, 3)
75 watt URI Super Actinic, and a 1000 watt HID-Mercury
Vapor lamp. Today I read the densities of the tests and plotted curves
with Davis' Plotter program, with the following results.
BL
BLB
SA* HID
Speed Point
2.5
2.4
2.3 2.2
Exposure Scale
1.31 1.36
1.23 1.31
IDMax
1.17 1.20
1.23 1.31
* I also tested the 20-watt Phillips Super Actinic tubes
and the results were virtually identical to that of the 75-watt URI
tubes.
*The HID-Mercury Vapor lamp was tested with a center
filter which reduces printing speed by about two full stops. Without
the center filter this lamp is faster than at least one full stop than
any of the other lights.
For those not familiar with the above terms, here is some
explanation of terminology.
The Speed Point indicates the speed of the material
and is expressed here in relative terms. The higher the number the
faster the printing speed. The values are in log units where each
value of 0.1 represents one-third of a stop, or 0.3 corresponds to one
full stop. Thus, the BL tubes turned out in these tests to be
one-third of a stop faster than the BLB tubes, two-thirds of a stop
faster than the SA tubes, and one full stop faster than the
HID-Mercury Vapor lamp (with the center filter).
Exposure Scale is the range between the minimum and
maximum density values required to print all of the tonal values. It
is also expressed in log values, with each 0.3 units corresponding to
one stop. An ES of 1.3, for example, corresponds to 4 1/3 stops. ES
relates to image contrast, the lower the number the higher the
contrast.
IDMax is the value that corresponds to 90% of maximum
black.
There have been quite a number of claims that Super
Actinic tubes are faster than BL and BLB tubes for printing in
platinum. My tests show the opposite. However, the SA tubes did
produce images with more contrast than any of the other lights.
Just for the record I ran the tests three times and the
results were very consistent. Over 95% of all readings of the three
tests made with a specific light source were identical, and no
difference greater than log 0.02 was observed.
Comments and questions about these tests are welcome.
Sandy King
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