February 2006 Alt-Photo-Process-L: Fwd: Nikon D200 (for alt)

From: Ender100@aol.com
Date: 02/05/06-04:37:49 PM Z
Message-id: <244.660fa8f.3117d83d@aol.com>

Return-path: <Ender100@aol.com>
Date: Sun, 5 Feb 2006 17:37:04 EST
From: Ender100@aol.com
Subject: Re: Nikon D200 (for alt)
To: pam@pinehill.com
Message-id: <29e.4de57af.3117d810@aol.com>
MIME-version: 1.0
X-Mailer: Thunderbird - Mac OS X sub 208
Content-type: multipart/alternative;
boundary="Boundary_(ID_fNpBXdJdxx+YVfblFM+5aQ)"
Full-name: Ender100

--Boundary_(ID_fNpBXdJdxx+YVfblFM+5aQ)
Content-type: text/plain; charset=UTF-8
Content-language: en
Content-transfer-encoding: quoted-printable

As far as I know, the only way to do this is with a scanning back, except fo=
r=20
the Foveon chip in the Sigma cameras=E2=80=94http://www.foveon.com/article.p=
hp?a=3D115 =20
However, this is about a 3.3 megapixel camera and they advertise it as a=20
10.2 megapixel or 3 x R+G+B. =20

I would like to see a full sensor camera that used all the sensors and=20
allowed you to use red, blue or green filters based on the scene, with no=20
interpolation.

I'll be testing a 39 megapixel next month from Hasselblad :)

Mark I. Nelson
www.MarkINelsonPhoto.com
www.PrecisionDigitalNegatives.com
PDNPrint Forum @ Yahoo Groups

In a message dated 2/5/06 4:27:20 PM, pam@pinehill.com writes:

> I sure would like to see a Kodachrome approach in digital, in which the
> image is recorded on three layers (or some digital equivalent) in red,
> green, and blue. Right now, so far as I know, they only record an
> average single pixel, which in turn causes blue/purple in the areas of
> transition from backlit.
>=20
> Pam
>=20

--Boundary_(ID_fNpBXdJdxx+YVfblFM+5aQ)
Content-type: text/html; charset=UTF-8
Content-language: en
Content-transfer-encoding: QUOTED-PRINTABLE

<HTML><HTML>As far as I know, the onl=
y way to do this is with a scanning back, except for the Foveon chip =
in the Sigma cameras=E2=80=94http://www.foveon.com/article.php?a=3D11=
5  However, this is about a 3.3 megapixel camera and they adver=
tise it as a 10.2 megapixel  or 3 x R+G+B.  
 
I would like to see a full sensor camera that used all the sensors an=
d allowed you to use red, blue or green filters based on the scene, w=
ith no interpolation. 
 
I'll be testing a 39 megapixel next month from Hasselblad  :)<B=
R>
 
Mark I. Nelson 
www.MarkINelsonPhoto.com 
www.PrecisionDigitalNegatives.com 
PDNPrint Forum @ Yahoo Groups 
 
In a message dated 2/5/06 4:27:20 PM, pam@pinehill.com writes: 
 
 
<BLOCKQUOTE CITE STYLE=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT=
: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE=3D"CITE"><FO=
NT COLOR=3D"#000000" FACE=3D"Geneva" FAMILY=3D"SANSSERIF" SIZE=3D"2">=
I sure would like to see a Kodachrome approach in digital, in which t=
he 
image is recorded on three layers (or some digital equivalent) in red=
, 
green, and blue. Right now, so far as I know, they only record an 
average single pixel, which in turn causes blue/purple in the areas o=
f 
transition from backlit. 
 
Pam 
</BLOCKQUOTE> 
 
 
 
 
 
 
</HTML>

--Boundary_(ID_fNpBXdJdxx+YVfblFM+5aQ)--
Received on Sun Feb 5 16:38:10 2006